March 2013 – Page 3

Party Time

You win some, you lose some. The ALP just won back the WA State seat of Fremantle (predicted) and lost the overall election to the Liberal/ National alliance (also predicted). I live in Fremantle, so, like I said, you win some, you lose some.

This was all happening while I was enjoying being at a concert with the Kill Devil Hills at the Freo Arts Centre. A good night. The band has improved enormously since I last heard them live some years ago.

It’s late and the brain has largely gone to mush so no more chat, just this:

Everybody looks pretty on Saturday night

Can I get you a drink, she asked, taking me by surprise

She’d come in about six or seven minutes ago

Took a stool a metre along the bar from where I was

Slowly working through my third beer for the evening

There aren’t many men who would reject that offer

And I certainly wasn’t among them, not this night

When I reliably expected to spend it alone

Just talking to the bar attendant and maybe my beer

A nod of appreciation was enough, she called for another

Of whatever I was having, moved closer bringing her arm

In touch with mine, smiling quietly while raising her glass

As the next round of beer arrived, I raised it in reply

She wasn’t in any hurry, sat sipping at the green concoction

In the long stemmed tube she held between finger and thumb

I thought I’d wait her out, let her set up the conversation

As she’d already set up the drinks, casual and confident

There are several possibilities for the direction things could go

The years had taught me that I wasn’t much at prediction

Added to that, I’d lost the knack of initiative if I ever had it

Whatever was going to happen would take its own time

Her drink was almost finished, she turned to me again

Don’t talk much, do you, she wanted to know, eyes wide

I suppose I don’t have much to say, I answered round the rim

Of my beer, then smiled at the silliness of it and that was enough

Well, talk’s not always necessary, she told me in the moment

Before she leaned in and kissed me full on the lips, lingeringly

When she stopped, I still didn’t say anything, though I understood

Very well where our conversation was going, and still waited

I called for another round of drinks and set money on the bar

Everyone understood these were the last for the evening

We dawdled over them in comfortable silence, not talking

Just letting our proximity say what little needed to be said

Did the night develop into anything of consequence, did it go on

Not really, it seldom does work out like the movies pretend

I hadn’t anticipated that it would, and so wasn’t disappointed

Yet I hoped as we left the bar, hoped that tonight it might.

Ruari Jack Hughes

Another Day But Not Another Dollar

View across the groin — Sculpture by the Sea 2012

I don’t really believe it’s as hard to get published as a lot of people claim. But it’s for sure you’re very unlikely to ever make any money out of writing. There are probably no more than a couple of dozen novelists and playwrights who make a full-time living in this country. If you write short stories or poetry, give up now if you’re doing it for the money.

So let’s assume you write because you’re driven. I attended the Writers Festival within the Perth International Arts Festival this year as I have in most previous years of its existence. It was a bit re-jigged this year in terms of the spaces employed within the University of Western Australia, but the format was essentially as it’s been for a long time. Mostly panels where a selection of writers who’ve had recent publication are interviewed by someone with a few clues about them and their books. Oh, and there is also a series of workshops which you can attend to learn various skills and techniques in order to publish your own best-selling blockbuster.

For the most part it’s all very enjoyable and there are hundreds of people attending, many industriously making notes in response to what’s being said in the panels. Not many of these people will ever see their writing published. It’s not a cynical comment, merely support for that assumption that people who write are driven to the activity. I do think it’s highly unlikely that anything you hear in a Writers Festival will be the key to finding the way into successful and profitable writing, but there’s no doubt the observation of those who have found that success is an encouraging motivation to keep going.

Even so, at the end of the day, it’s that old formula of talent + sweat that’s the only real road to becoming a successful writer ( and it still doesn’t mean you’ll make any money!)

I think I’ve got some talent. I probably need to sweat some more. And I’m going to keep writing because really,what else is there to do?

See what you think about this:

Turning Point

Turning and turning,

I turn, the earth spins.

Which revolution can be counted on?

The earth, this timeless thing,

Has spun so long as time is.

Has Man turned about

Any the less?

And who can distinguish circles

Whose central point is the same,

Unless it be by some measure

Of distance from that centre.

The earth spins on its axis,

And circles (more or less)

The same fixed point

It has always related to,

While I, I am constantly

Turning to find my origin.

What point then is the earth’s fixity

If it holds no comprehensible relation

To me? You may say I have

Missed the point,

That the earth and I are the same substance,

That it and I move together,

Have always done so, and will always.

That is true only in part.

The earth changes / it is sure,

But it is a natural change;

My kind is contrary —

Its circles bring it repeatedly

To the same place:

My gyrings make me at once

The centre and the circle —

It is a vanishing condition,

A special kind of terror.

Ruari Jack Hughes

Rosemary Nov 2012

Can We Start Again, Please?

Colourful artwork — Zig Zag Gallery 2012

This morning brought a rather traumatic discovery. The word I thought I had coined late last year — telemorphosis — turns out to have been in use for over 100 years and refers to nothing at all related to my intent that it would define my theory about how memory is crucial in the process of adaptation in writing. A big disappointment! And a big nuisance, as I will now have to devise another word/term to try and express what I’m on about in this exploration which is central to my PhD project.

The first thing I immediately did was the elimination of the blog which I began only two days ago (under the name of Telemorphosis) and set up a new blog — this one, titled Memories 2 Go. Fortunately it was possible to export everything from the original site to this new one, so not too much damage.

Once again the fact of the Web has proven itself. It’s highly unlikely I would otherwise have learnt of this duplication of terms. Might have become a big problem when I submit my thesis next year. A good lesson in never taking anything for granted. But really, who knew? Who would have thought? Did you ever hear the word before?

Let me tell you a little about this PhD I’ve been working on for the last 7 years. Actually I made the decision to have a go at getting a doctorate over 9 years ago. First hurdle was to gain entry. Didn’t have an Honours degree so (despite holding a degree in English Lit and a post-grad degree in Education) I needed to get a Masters as a first step. This wasn’t a hardship, quite the contrary. For two years I just wrote heaps of stuff — short stories, poetry, a play, a novella and 35K words of a still unfinished novel. Got several of the stories and poems published and finished up with a M.Litt degree awarded cum laude.

Then I was ready to start on the PhD. Right from the beginning my interest has been in adaptation; how do stories get changed from one form into another? What is the process in the writing which allows that to happen?I had a notion to try and develop a model, for want of a better word, which could be used to guide a writer who decided to adapt a story into some different form from what it was currently. Well, that didn’t work out too well. Seems every adaptation is essentially unique. I was back to square one. After sitting in my chair and cogitating for some months I came up with the opinion that memory has got something to do with what goes on when an adaptation is being undertaken. So that’s what I’m now puzzling out.

More about how this is going another time.

But just to finish:

Poems, plays, stories:

Their words unlock mysteries

All about ourselves

Ruari Jack Hughes

A New Role

So… today was my first stint as a Poet in the Cafe! Very low key as Mike (the owner of La Tropicana) and I are still working out a modus operandi in terms of best days and times for me to be there. Between 12 noon and 2 pm seems to be optimum for numbers of cafe patrons, although today I was there a bit later. Even so there were four people stopped to chat, two whom I know and two strangers. Not bad considering that so far there’s no poster or other indication of who I am or what I’m doing apart from a copy of my poetry collection on the table.

I’m hoping to have articles in both Fremantle’s local papers (Herald and Gazette) in the next week or two. And a big poster stuck in the window indicating days and times I will be in the cafe.

I didn’t write any poetry today but I did write quite a lot related to my novella project which is part of my PhD program. I’ll talk more about that in subsequent posts but for now, here’s another fairly recently minted poem.

Book End

I am tired of all these readers

Who take up a book for a few hours

To annul their boredom

To pass the time

They always want the thrill

Without the passion

The danger without the harm

Sitting in their armchairs

Luxuriating in their cosseted rooms

Of safe and comfortable escape

Vicariously entering worlds of horror and spite

But not truly perilous.

Well, now we shall see

For I will write this tale

In congruous binds with mayhem

To devour their sweet sentimentality,

To choke their wide innocence

With ghastly description, with terrifying action,

With such malicious imaginings

That they will be undone

Unto the ends of their lives.

Now let the villainy begin!

Open these pages I dare you!

Slide into my world of mischief and malfeasance

Sink into a quagmire of wickedness

Come dance with death

Confront hideous nightmare

Shiver with the delicious delight of dread

But this time there’ll be no fantasy

This time you’ll not escape

Back to your ordinary, dull complacencies.

This time when you come to the end of the book

You’ll come to the end of you.

This should probably end with something like “Argh, ha, ha, ha!” Hope you enjoy it.

Ruari Jack Hughes